Interdisciplinary Artist

My practice brings into being quiet forms of attunement that move between image, object, body, and place.

Exploring impermanence and more-than-human entanglements through biomaterial research, textiles, and alt-photo processes, I work with materials as collaborators shaped by environmental conditions, time, and touch. Artworks emerge through transformation and care, at times remaining temporary or site-responsive by design.

Guided by ecological grief and un-selfing, my practice embraces impermanence and the more-than-human. It invites viewers to encounter mortality and loss not as endpoints, but as shared ecological processes unfolding through cycles of transformation and return.

ABOUT

RECENT WORK

Featured

Mar 16, 2026

Thinking, Making and Being with Algae in Viana do Castelo

Mar 16, 2026

Reflection on “The Department of Seaweed in Viana: Thinking, Making and Being with Algae,” a workshop led by Julia Lohmann in Viana do Castelo, Portugal. Part of the Pasto das Marés project, the workshop explored seaweed as a material for art and design through foraging, experimentation, and community engagement. Building on my ongoing work with algae in cyanotypes, natural dyes, and inks, the experience expanded my ecological art practice and deepened my exploration of impermanence, ecological grief, and more-than-human relationships within coastal environments.

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Mar 16, 2026

Jan 23, 2026

Influence and What Resists Capture: The Bots Have Found Me

Jan 23, 2026

I was recently asked which artists have influenced my work, and a few surfaced immediately—not because of shared materials or styles, but because their work has stayed with me over time. Thinking about Abakanowicz, Hamilton, Bourgeois, Mendieta, and Messager led me to questions of visibility, authorship, and care. As images increasingly circulate through bots and AI systems, this post reflects on how to honor lineage while resisting capture.